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On Global/Local Art | hybrid art in a globalized world ...
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hybrid art in a globalized world- contributions by Floris Schreve (by Floris Schreve)
hybrid art in a globalized world- contributions by Floris Schreve (by Floris Schreve)
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On Global/Local Art | hybrid art in a globalized world- contributions by Floris Schreve
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Nyckelordskonsekvens
Nyckelord | Innehåll | Titel | Beskrivning (Meta beskrivning) | Sidhuvud (headings) |
---|---|---|---|---|
art | 236 | |||
artists | 137 | |||
iraqi | 122 | |||
iraq | 117 | |||
van | 104 | |||
work | 104 |
Nyckelord (2 ord) | Innehåll | Titel | Beskrivning (Meta beskrivning) | Sidhuvud (headings) |
---|---|---|---|---|
floris schreve | 45 | |||
ali assaf | 28 | |||
contemporary art | 26 | |||
qassim alsaedy | 19 | |||
ahmed alsoudani | 17 | |||
iraqi artists | 16 |
Nyckelord (3 ord) | Innehåll | Titel | Beskrivning (Meta beskrivning) | Sidhuvud (headings) |
---|---|---|---|---|
photo floris schreve | 24 | |||
mary angela schroth | 6 | |||
projection and amorphic installation | 5 | |||
continuing traditions of satire | 5 | |||
halim al-karim hidden | 5 | |||
arab world contemporary | 5 |
Sidhuvud (headings)
H1 | H2 | H3 | H4 | H5 | H6 |
19 | 54 | 50 | 1 | 0 | 4 |
Fel! Antalet H1 taggar är mer än 1.
H5 saknas
Rubriksstruktur
- <H1> On Global/Local Art
- <H2> hybrid art in a globalized world- contributions by Floris Schreve
- <H2> Exhibition of Mahmoud Sabri in London
- <H3> محمود صبري
- <H2> My Beautiful Enemy; Farhad Foroutanian & Qassim Alsaedy (exhibition Diversity & Art, Amsterdam)
- <H2> My Beautiful Enemy – دشمن زیبای من – عدوي الجميل
- <H2> Kunst, Satire en de strijd om vrijheid in Syrië
- <H2> الفن والنضال من أجل الحرية في سوريا
- <H1> ‘Later zal iemand dit werk zien en zeggen: dát was de Syrische Revolutie’
- <H2> Lecture: A history of Iraqi modern art and Iraqi artists in the Diaspora, on the occasion of the exhibition ‘Distant Dreams; the other face of Iraq’, Kunstliefde (Utrecht)
- <H2> Introduction on the history and geography of Iraq
- <H2> Origins and development of the Iraqi modern art (from 1950)
- <H2>
- <H2>
- <H2> Iraqi artists in the Diaspora
- <H2> The Netherlands:
- <H2> Exhibition ‘Distant Dreams; the other face of Iraq’ (Kunstliefde, Utrecht, The Netherlands) and a lecture on modern and contemporary Iraqi art
- <H2> أحلام بعيدة، هي الوجه الآخر للعراق
- <H2> An impression of the Arab contributions at the Venice Biennial 2011
- <H2> مساهمة الدول العربية في بينالي البندقية
- <H3> The Future of a Promise
- <H3> The Pavilion of Egypt
- <H3> The Pavilion of Saudi Arabia
- <H4> Kingdom of Saudi Arabia Pavilion, Arsenale, Venice, Italy, 6 Jun 2011
- <H1> The Black Arch
- <H2> Exhibition of Qassim Alsaedy in Amsterdam, May/June 2011
- <H2> Iraq returns to the Venice Bienial – Irak weer terug op de Biënnale van Venetië – العراق يعود إلى بينالي البندقية
- <H1> Acqua Ferita / Wounded Water
- <H3> The Iraqi Pavilion at the Venice Bienial/Het Paviljoen van Irak op de Biënnale van Venetië/ الجناح العراقي في بينالي البندقية
- <H1> Iraq Comes to Venice
- <H2> Curator and iconoclast Mary Angela Schroth is spearheading a campaign to return Iraqi art to the prestigious Venice Biennale after a 35-year absence
- <H3> By MARISA MAZRIA KATZ
- <H1> Venice Biennale gives voice to Iraqi diaspora and struggling younger artists
- <H1> Ahmed Alsoudani: Wounded Water
- <H1> Film
- <H1>
- <H2> 14 June 2011
- <H1> The Art World’s New Darlings
- <H6> By JULIA CHAPLIN
- <H6> Published: June 3, 2011
- <H6> Jessica Craig-Martin for The New York Times
- <H6> A version of this article appeared in print on June 5, 2011, on page ST1 of the New York edition with the headline: The Art World’s New Darlings.
- <H1> SELECTED WORKS BY Halim Al-Karim
- <H2> Hidden War
- <H3> 1985 Lambda print
- <H3> 138 x 324 cm
- <H2> Hidden Face
- <H3> 1995 Lambda print
- <H3> 138 x 300 cm
- <H2> Hidden Prisoner
- <H3> 1993 Lambda print
- <H3> 158 x 369 cm
- <H2> Hidden Theme
- <H3> 1995 Lambda print
- <H3> 138 x 300 cm
- <H2> Hidden Victims
- <H3> 2008 Lambda print
- <H3> 186 x 372 cm
- <H2> Prisoner Goddess
- <H3> 1993 Lambda print
- <H3> 124 x 372 cm
- <H2> Hidden Witnesses
- <H3> 2007 Lambda print
- <H3> 138 x 300 cm
- <H2> Hidden Doll
- <H3> 2008 Lambda print covered with white silk
- <H3> 200 x 360 cm
- <H2> Hidden War 2
- <H3> 2003 Lambda print covered with white silk
- <H3> 200 x 330 cm
- <H2> Constellation 2009
- <H2>
- <H1> Ahmed Alsoudani
- <H2> We Die Out of Hand
- <H3> 2007 Charcoal, pastel and acrylic on paper
- <H3> 274.3 x 243.8 cm
- <H1> Ahmed Alsoudani
- <H2> You No Longer Have Hands
- <H3> 2007 Charcoal, pastel and acrylic on paper
- <H3> 213.4 x 274.3 cm
- <H1> Ahmed Alsoudani
- <H2> Untitled
- <H3> 2007 Oil, acrylic, ink, gesso on canvas
- <H3> 182.9 x 213.4 cm
- <H1> Ahmed Alsoudani
- <H2> Untitled
- <H3> 2008 Oil, acrylic, charcoal gesso on canvas
- <H3> 213 x 184 cm
- <H1> Ahmed Alsoudani
- <H2> Baghdad I
- <H3> 2008 Acrylic on canvas
- <H3> 210 x 370 cm
- <H1> Ahmed Alsoudani
- <H2> Baghdad II
- <H3> 2008 Acrylic on canvas
- <H3> 250 x 380 cm
- <H1> Ahmed Alsoudani
- <H2> Untitled
- <H3> 2008 Charcoal, acrylic and pastel on paper
- <H3> 270 x 226 cm
- <H2> Images: / 1
- <H2> / 2
- <H2> / 3
- <H2> / 4
- <H2> Images: / 1
- <H2> / 2
- <H2> / 3
- <H2> / 4
- <H2> / 5
- <H2> “Consumption of War” – Adel Abidin at the 2011 Venice Biennale
- <H2> Modern and Contemporary Art of the Middle East and North Africa
- <H2> الفن المعاصر في العالم العربي وإيران
- <H1> Handout lecture ‘Modern and Contemporary art of the Arab World’
- <H2> محاضرة الفن الحديث والمعاصر في العالم العربي
- <H2> Living in exile in their own land; contemporary Native American artists
- <H2> Contemporary Native American Art
- <H3> Recent Posts
- <H3> Top berichten & Pagina’s
- <H3> Archives
- <H3> Meta
- <H3> Categories
- <H3> Blog Stats (vanaf 9-12-2011)
- <H3> Categories
- <H3> Follow Blog via Email
- <H3> Recent Posts
- <H3> Blog Floris Schreve
- <H3> Blogroll
- <H3> Follow “On Global/Local Art”
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