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SEO audit: theproaudiofiles.com

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Pro Audio Files — Articles, Videos and Courses on mixing ...

theproaudiofiles.com/
Articles, videos and courses on mixing, mastering, recording and producing music. Tips, tricks, techniques, philosophy, tutorials, reviews and more.

Domain / URL audit

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Domain : theproaudiofiles.com/
Length (characters) : 21
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Keywords (meta keywords)
Excellent! The website does not use “meta keywords”. Using “meta keywords” is meaningless since September 2009.
Description (meta description)
Articles, videos and courses on mixing, mastering, recording and producing music. Tips, tricks, techniques, philosophy, tutorials, reviews and more.

Length (characters) : 148

Excellent! The length of the meta description on this site is between 70 and 160 characters.
Open Graph Protocol
Excellent! The OG (Open Graph) protocol is set on this website.

locale: en_US
type: website
title: The Pro Audio Files: Mixing, Recording and Producing Music
description: Articles and video tutorials on mixing, mastering, recording and producing music. Includes tips, tricks, techniques, tutorials, reviews and more.
url: https://theproaudiofiles.com/
site_name: Pro Audio Files
image: https://theproaudiofiles.com/wp-content/uploads/2014/12/fb4.png
image:secure_url: https://theproaudiofiles.com/wp-content/uploads/2014/12/fb4.png
image:width: 1998
image:height: 1046

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WordPress 5.1.1
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Error! The website does not use the Dublin Core schema.

SEO audit: Content analysis

Language
We have found the language localisation: ”en”.
Title
Pro Audio Files — Articles, Videos and Courses on mixing, recording, mastering and producing music.

Length (characters) : 105

Improve! The website address (title) should be between 10 and 70 characters in length.
Text / HTML ratio
Ratio : 7%

Error! The text / HTML code ratio is under 15 percent on this website. This value shows that the website has relatively few text content.
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Keywords cloud
free  moss  mantione  importance  mixes  mistakes  brad  live  awesome  studio  great  pro  ways  guitar  vocals  recording  sound  mark  mix  review  odqvist  how  perkins  engineers  essential  different  mastering  matthew  you’re  ian  vocal  production  guide  complete  justin  drum  better  philip  tips  cristofer  marshall  mixing  reverb  drums  making  rob  music  weiss  schlette  don’t  vargo  pack  plugins  getting  dan  audio  jason  compression  fundamentals  comerchero 
Keywords consistency
Keyword Content Title Description (meta description) Headings (headings)
weiss 77
matthew 77
mixing 58
tips 50
mix 44
mantione 39
Keywords (2 words) Content Title Description (meta description) Headings (headings)
matthew weiss 34
philip mantione 21
tips for 20
ian vargo 17
dan comerchero 13
brad pack 10
Keywords (3 words) Content Title Description (meta description) Headings (headings)
tips for mixing 5
plugins for mixing 3
mix by matthew weiss 3
you don’t know 2
transient designer plugins 2
tone by mark marshall 2
Headings (headings)
H1H2H3H4H5H6
11028700
H3 is missing
Heading structure in the source code
  • <H1> Pro Audio Files
  • <H4> Articles
  • <H4> Videos
  • <H4> Articles
  • <H4> Videos
  • <H2> Latest
  • <H4> Behind the Scenes at an AIR Studios Session
  • <H4> Percussion: The Unsung Hero Of Groove
  • <H4> 9 Mics for Recording Electric Guitar (+ Audio Examples)
  • <H4> Win a Free Membership to The Pro Audio Files
  • <H4> 4 Ways to Use Silence to Enhance Your Productions
  • <H4> The Mastering Guide to Audio Formats and Delivery Mediums
  • <H4> The Basics of Electric Guitar Pickups
  • <H4> 4 Tips for EQ’ing Acoustic Guitar in a Mix
  • <H4> 6 Great Vocoder Plugins (+ What is a Vocoder)
  • <H4> Why I Love the Slate Digital VRS8 Bundle
  • <H4> Review: LYRA-8 & the PIPE by SOMA Laboratories (+ Interview)
  • <H4> 4 Tips for “Mixing as You Go” While Recording, Producing & More
  • <H4> 5 Great API 550 EQ Plugins (+ 5 Pretty Good Ones Too)
  • <H4> 6 Earplugs for Musicians, Engineers and Concert-Goers
  • <H4> Mix Contest! Win $1000 in Prizes.
  • <H4> 5 Tips for Achieving the Best Vocal Comp
  • <H4> The Complete Guide to Choosing a MIDI Controller 
  • <H4> How to Use Reverb on Vocals in a Mix
  • <H4> Review: Sensel Morph
  • <H4> 16 Great Gifts for Live Sound Engineers
  • <H4> 13 Plugins for Getting an 80s Vibe (+ Production & Mix Tips)
  • <H4> 5 Awesome Compressor Plugins for Mixing
  • <H4> Interview with ‘The Americans’ Composer Nathan Barr
  • <H4> 15 Awesome Transient Designer Plugins
  • <H4> 5 Favorite EQ Plugins for Mixing
  • <H4> The Anatomy of Eric Clapton’s Guitar Tone
  • <H4> Review: smart:EQ 2 by Sonible
  • <H4> Review: TTAP and WOV — New Plugins by K-Devices
  • <H4> 6 Common Questions About Mixing with Reverb
  • <H4> How to Mix Reggaeton
  • <H4> Orchestrating Synths: Layering, Stacking and Blending
  • <H4> Review: Studio Orchestra Series by Spitfire Audio
  • <H4> 5 Great Neve 1073 Emulation Plugins
  • <H4> Review: PLUS and PLASMA Pedals by Gamechanger Audio
  • <H4> Interview with ‘Black Mirror: Bandersnatch’ Composer Brian Reitzell
  • <H4> The Fundamentals of Designing Sound to Picture
  • <H4> The Complete Guide to DI Boxes for Recording and Live Performance
  • <H4> The Fundamentals of Physical Modeling Synthesis
  • <H4> The Fundamentals of Phase Distortion Synthesis
  • <H4> Review: The Snapin Eco-System by Kilohearts
  • <H4> 6 Tips for Using Reverb in Different Genres of Music
  • <H4> 11 Free Synth Plugins for Your Collection
  • <H4> 8 Awesome Drum Simulator Plugins
  • <H4> 5 Free Plugins for Mastering in the Box
  • <H4> 7 Free Plugins That Will Improve Your Mixes
  • <H4> 8 Favorite Plugins for Mixing Vocals
  • <H4> FL Studio is Badass, If You Don’t Make These 6 Mistakes
  • <H4> 10 EQ Mistakes You Don’t Know You’re Making
  • <H4> 11 Awesome Guitar Amp Simulator Plugins
  • <H4> Mix Contest! Win $1000 in Prizes.
  • <H4> The Complete Guide to Audio Pass Filters
  • <H4> 4 Tips for EQ’ing Acoustic Guitar in a Mix
  • <H4> Win a Free Membership to The Pro Audio Files
  • <H4> The Mastering Guide to Audio Formats and Delivery Mediums
  • <H4> DAW Guide: Which Digital Audio Workstation Should You Choose?
  • <H4> 5 Awesome Compressor Plugins for Mixing
  • <H4> 7 Awesome Reverb Plugins For Mixing
  • <H4> 7 Simple Tips to Mix Vocals Like a Pro
  • <H4> The Essential Guide to the Basics of Live Sound
  • <H4> 5 Different Types of Reverb Explained
  • <H4> The 6 dB of Headroom for Mastering Myth Explained
  • <H4> 8 Places to Get Multitracks for Practice
  • <H4> 10 Must-Have iOS Synth Apps for Music Production
  • <H4> A Guide to the Different Roles in Audio Post-Production
  • <H4> 72 Music Production Tips I Wish I Knew When I Started
  • <H4> Ian Vargo’s Top 10 UAD Plugins (+ Mix Tips)
  • <H4> 10 Great Brass Sample Libraries
  • <H4> How to Use Reverb on Vocals in a Mix
  • <H4> 5 Crucial Mistakes People Make Compressing Vocals
  • <H4> How to Tune a PA System for Live Sound
  • <H4> 9 Mix Bus Mistakes You Don’t Know You’re Making
  • <H4> 5 Favorite EQ Plugins for Mixing
  • <H4> Patchbays 101 — Layout, Signal Flow, Normalling & More
  • <H4> 5 Great Compressor Plugins for Mastering
  • <H4> 8 Great String Libraries for Your Sample Collection
  • <H4> 5 Reasons Your Mixes Don’t Sound Like the Pros
  • <H4> 5 Secrets to Recording Vocals at Home
  • <H4> 5 Tips for Achieving the Best Vocal Comp
  • <H4> Why Ableton Live is a Superior DAW for Music Production
  • <H4> 8 FREE Drum Sample Packs
  • <H4> 4 Ways to Use Silence to Enhance Your Productions
  • <H4> How Music Copyright Works: Sampling, Covers, Mixtapes & Fair Use
  • <H4> 4 Tips for “Mixing as You Go” While Recording, Producing & More
  • <H4> The Complete Guide to Mixing Vocals
  • <H4> 6 Awesome Plugins for Mixing Drums (+ Mix Tips)
  • <H4> Tips for Mixing Rap Vocals
  • <H4> The Complete Guide to Mixing Drums
  • <H4> 6 Earplugs for Musicians, Engineers and Concert-Goers
  • <H4> 15 Awesome Transient Designer Plugins
  • <H4> 6 Great Vocoder Plugins (+ What is a Vocoder)
  • <H4> Tips for Creating Analog Sounds in the Box
  • <H4> The Mastering Guide to Audio Formats and Delivery Mediums
  • <H4> 6 Great Vocoder Plugins (+ What is a Vocoder)
  • <H4> The Complete Guide to Choosing a MIDI Controller 
  • <H4> How to Use Reverb on Vocals in a Mix
  • <H4> How to Mix Reggaeton
  • <H4> Orchestrating Synths: Layering, Stacking and Blending
  • <H4> The Fundamentals of Designing Sound to Picture
  • <H4> 8 Tips for Creatively Processing Vocals
  • <H4> Audio Engineers: You Care About The Wrong Stuff
  • <H4> 10 Great Brass Sample Libraries
  • <H4> Tips for Creatively Using Auto-Tune on Vocals
  • <H4> The Fundamentals of Subtractive Synthesis
  • <H4> Can Home Recordings Compete with Major Releases?
  • <H4> 11 Free Synth Plugins for Your Collection
  • <H4> 6 Tips for Mixing Pop Music
  • <H4> The Fundamentals of AM Synthesis
  • <H4> 8 Tips for Building Synth Sounds from Scratch
  • <H4> 7 Important Lessons Learned Throughout My Mixing Career
  • <H4> 5 Plugins for Adding “Glue” to Your Mixes (+ Mix Tips)
  • <H4> Tips for Mixing Drum Overheads
  • <H4> The Complete Guide to Vocal Production
  • <H4> 5 Interesting Ways to Use Delay in a Mix
  • <H4> 7 Things That Limit the Full Potential of a Mix
  • <H4> 15 Free Videos from Grammy Winning Mix Engineers
  • <H4> The Fundamentals of Amplitude and Loudness
  • <H4> 8 Non-Audio Apps to Help Run Your Audio Business
  • <H4> How to Become a Pro Tools Vocal Tracking Ninja
  • <H4> 7 Tips for Working Remotely as an Audio Engineer
  • <H4> The Complete Guide to Mixing Bass Guitar
  • <H4> A Philosophical Guide to the Role(s) of an Audio Engineer
  • <H4> 4 Effective Ways to Use Tension in Your Productions
  • <H4> The Complete Guide to Recording Electric Guitar
  • <H4> 6 Essential Tips for Using Reference Tracks
  • <H4> The Complete Guide to Mixing with EQ
  • <H4> The Complete Guide to Mixing with Compression
  • <H4> Understanding Performance Rights
  • <H4> Music Royalties Explained
  • <H4> Music Publishing 101
  • <H4> How Music Copyright Works: Sampling, Covers, Mixtapes & Fair Use
  • <H4> 58 Quick Mixing, Producing and Sound Design Tips
  • <H4> 12 Awesome Sound Design Tools for Music Production
  • <H4> Mixing: Peering Beyond The Bullsh%#
  • <H4> A Guide to the Different Roles in Audio Post-Production
  • <H4> 5 Things I Miss About My First Tape Recorder
  • <H4> The 6 dB of Headroom for Mastering Myth Explained
  • <H4> 12 Tips for Composing Music for TV Shows
  • <H4> The Complete Guide to Mixing Vocals
  • <H4> The Fundamentals of Sampling Instruments and Libraries
  • <H4> 6 Favorite Saturation Plugins + Mix Tips
  • <H4> 7 Compressor Plugins Modeled After Analog Hardware
  • <H4> Tips for Making In The Box Mixes Sound Analog
  • <H4> 5 Secrets to Recording Vocals at Home
  • <H4> 8 Ways to Use Reverb as a Special Effect
  • <H4> 5 Trends We’ll See In “The DAW of the Future”
  • <H4> The Complete Guide to Mixing Drums
  • <H4> Patchbays 101 — Layout, Signal Flow, Normalling & More
  • <H4> How to EQ Vocals (+ 10 Problems to Look Out For)
  • <H4> The Basics of Plate Reverb
  • <H4> The Fundamentals of Waveform Editing
  • <H4> 5 Ways to Use Reverb on Drums in a Mix
  • <H4> 5 Different Types of Reverb Explained
  • <H4> 7 Crucial Mistakes Engineers Make Running Live Sound
  • <H4> The What, Why and How of Modular Synthesis
  • <H4> How to Get a Job at a Live Music Venue
  • <H4> How to Book a Gig for Your Band at a Live Music Venue
  • <H4> Analog, Tubes, Vinyl and the Future of Retro
  • <H4> Mastering in 2017 — Where Do We Go From Here?
  • <H4> The Benefits of Self-Imposed Limitations
  • <H4> 7 Essential Traits of a Great Record Producer
  • <H4> 9 Easy Ways to Use Multiband Compression in Your Mix
  • <H4> Content, Form and the Empty Container
  • <H4> How to Improve Acoustics in Your Home Studio
  • <H4> 5 Ways to Use Imaginary Collaborators in the Studio
  • <H4> The Luxury of Procrastination
  • <H4> 9 Mix Bus Mistakes You Don’t Know You’re Making
  • <H4> 10 EQ Mistakes You Don’t Know You’re Making
  • <H4> 9 Compression Mistakes You Don’t Know You’re Making
  • <H4> 6 Essential Limiter Plugins for Mastering
  • <H4> 5 Tips for Getting Better Sounding Masters
  • <H4> 7 Reverb Mistakes You Don’t Know You’re Making
  • <H4> The Importance of Time, Mistakes and Humility
  • <H4> 7 Simple Tips to Mix Vocals Like a Pro
  • <H4> 5 Tips for a Better Sense of Space in Your Mixes
  • <H4> 5 Reasons Your Mixes Don’t Sound Like the Pros
  • <H4> 16 Free Resources for Learning to Use Compression
  • <H4> 7 Essential Traits of a Great Recording Studio
  • <H4> How to Harness the Power of Improvisation in the Mixing Process
  • <H4> 17 Most Popular Articles on Mixing and Recording in 2016
  • <H4> 19 Most Popular Mixing Tutorials of 2016
  • <H4> Rehab for Musical Perfectionists
  • <H4> 4 Tips for Being a Recording Studio Badass
  • <H4> 6 Mixing Mistakes That Are Destroying Your Tracks
  • <H4> My 5 Most Unpopular Opinions (That I’m Sticking By!)
  • <H4> 4 Parallel Processing Techniques for Drums in a Mix
  • <H4> 3 Ways to Use Multiband Compression in a Mix
  • <H4> 5 Tips For Getting Huge Drum Sounds
  • <H4> 5 Things to Listen for When Using Compression
  • <H4> Mixing: Don’t Always Trust What You See
  • <H4> Tips for Visualizing Compression
  • <H4> 5 Effective Ways to Use Mid-Side Processing
  • <H4> 5 Tips for Better High End in a Mix
  • <H4> 4 Commonly Misused Pieces of Audio Advice
  • <H4> Understanding Sound: What is Sound?
  • <H4> Tips for Mixing Rock Vocals
  • <H4> 35 Essential Mixing Tutorials from 2015
  • <H4> 5 Ways to Approach the Beginning of a Mix
  • <H4> 11 Tips for Better Mastering Results
  • <H4> Your Ears Are Colorblind, and Other Analogies for MP3 Compression
  • <H4> 5 Reasons to Put a Microphone in Front of Your Monitors
  • <H4> How Compression Affects Harmonic Distortion
  • <H4> 5 Essential Ways to Listen to Your Mixes
  • <H4> The Importance of Your Recording Location
  • <H4> 10 Essential Articles on Mastering Music
  • <H4> 15 Free Tutorials on Mixing with EQ
  • <H4> 5 Combinations of Effects for Parallel Processing
  • <H4> Arnold’s Six Rules for Success That’ll Make You a Better Producer
  • <H4> 5 Different Types of Compression and When to Use Them
  • <H4> 25 Resources for Learning to Use Reverb in a Mix
  • <H4> 15 Essential Tips for New Audio Engineers
  • <H4> 72 Music Production Tips I Wish I Knew When I Started
  • <H4> Common Misconceptions About the Mastering Process
  • <H4> What’s the Brain Got to Do With It?
  • <H4> 5 Tips for Getting More From Your Productions
  • <H4> 17 Resources for Getting a Great Drum Mix
  • <H4> 7 Tips for Creatively Processing Drum Loops
  • <H4> How Different Pick Materials Sound on Acoustic Guitar
  • <H4> 13 Resources for Getting a Better Sound at the Source
  • <H4> How to Get a Fatter Guitar Sound with Cascading Overdrive
  • <H4> 5 Tips to Quickly Improve Your EDM Mix
  • <H4> The Importance of Mono in a Stereo Mix — Part 2
  • <H4> Analog vs Digital Summing: Which is Preferred?
  • <H4> 25 Essential Mixing Tutorials from 2014
  • <H4> 50 Must-Read Pro Audio Articles from 2014
  • <H4> A Guide to Preparing for Mastering
  • <H4> How Different Pick Materials Sound on Electric Guitar
  • <H4> How Insecurity Can Halt Your Career
  • <H4> Amp Overdrive vs Pedal Overdrive
  • <H4> 4 Headphone Tips for Better Vocal Performances
  • <H4> The Importance of Mono in a Stereo Mix
  • <H4> 6 Ways to Get Creative with Vocal Doubles
  • <H4> 5 Ways to Use a Gate for Synth and Vocal Effects
  • <H4> 5 Tips for Controlling, Filtering and Shaping Reverb
  • <H4> Why Amp Volume is a Secret Ingredient to Getting Great Guitar Tone
  • <H4> 8 Resources for Learning Compression
  • <H4> 19 Brian Eno Quotes for Studio Inspiration
  • <H4> 9 Things That Shouldn’t Derail Your Record
  • <H4> 6 Common Traps Aspiring Audio Engineers Fall Into
  • <H4> 5 Music Production Secrets of The Beatles
  • <H4> 5 Mistakes New Audio Engineers Make
  • <H4> 8 FREE Drum Sample Packs
  • <H4> 11 Things You Never Thought to Do with Your Guitar Effects Chain
  • <H4> The Five Levels of Mix Quality
  • <H4> How to Attract New Clients to Your Studio
  • <H4> How to Create Width, Height and Depth in a Mix
  • <H4> 5 Dynamic Ways to Think About Masking
  • <H4> 5 Common Mixing Mistakes to Avoid
  • <H4> 7 Effective Techniques for Minimizing Plosives
  • <H4> 10 Common Mixing Mistakes to Avoid
  • <H4> The Complete Guide to Mixing Voice: Dynamics
  • <H4> The Complete Guide to Mixing Voice: EQ
  • <H4> How to Succeed as a Freelance Audio Engineer
  • <H4> 50 Mixing Tips From Steven Slate
  • <H4> Mixing with Mastering in Mind: Tone
  • <H4> 6 Steps For Getting Your Best Mix Ever
  • <H4> How Mick Guzauski Mixed Daft Punk
  • <H4> 7 Advanced Mixing Techniques That Can Get You in Trouble
  • <H4> How to Mix 808s
  • <H4> Mixing with Mastering in Mind: Dynamics
  • <H4> 7 Obscure Mixing Techniques Used by the Pros
  • <H4> How to Open Up Space in a Mix
  • <H4> 5 Tips for Executing a Fast Mix
  • <H4> Tips for Mixing Vocals to an Instrumental
  • <H4> EDM: Where Producing and Mixing Collide
  • <H4> Phase: Timing Difference or Polarity?
  • <H4> How It’s Made: Microphones, Instruments & More
  • <H4> Tips for Controlling Vocal Sibilance
  • <H4> 4 Essential Tips for Mixing Guitar
  • <H4> Mixing Rap Vocals – Part 3: Compression
  • <H4> Tips for Mixing Toward Loudness
  • <H4> How to Choose the Best Audio Education
  • <H4> Mixing Rap Vocals – Part 2: EQ
  • <H4> 3 Techniques for Mixing Background Vocals
  • <H4> 2 Effective Ways to Use Parallel Compression
  • <H4> Studio Rates: Charging an Hourly Rate vs. Charging per Song
  • <H4> How to Mix Trap Music
  • <H4> Tips for Mixing Low End
  • <H4> The Mysteries of Dynamics Processing Revealed
  • <H4> Have You Left Your Right Brain?
  • <H4> Tips for Mixing Rap Vocals
  • <H4> The Importance of Space in a Mix: Part III
  • <H4> The Importance of Space in a Mix: Part II
  • <H4> The Importance of Space in a Mix: Part I
  • Expand
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SEO audit: technology

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Encoding
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https://theproaudiofiles.com/robots.txt
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